Artist
Boy Dirt Car

Boy Dirt Car

electronic

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About

Real Name: Dan Kubinski, Darren Brown, Eric Lunde, Keith Brammer Profile: BDC were formed by Darren Brown and Eric Lunde in 1981 after the two young punkers met Glenn Branca at a Chicago noise-music festival. Gathering a few friends together for jams, they proceeded to play with a revolving-door line-up that usually consisted of Brown, Lunde and any drunken and/or drug-addled buddy they could string along. Finally settling on a semi-stable line-up that consisted of the duo and Keith Brammer and Dan Kubinski of Die Kreuzen on various metal percussive instruments and noise-making devices, BDC found their feet and were soon hailed by well-meaning folks as America's answer to Einstürzende Neubauten. Inactive as a band for many years, Eric Lunde in the meantime released some solo records and Darren Brown formed Impact Test. Nov. 23, 2007 "In one of the most unlikely reunions of recent years, seminal Milwaukee noise group Boy Dirt Car announces the release of its first new recordings since 1988. Spoken Answer To A Silent Question brings together several original members -- co-founder Darren Brown, Keith Brammer and Dan Kubinski (Die Kreuzen), T.S. Wahlen and Dave Szolwinski -- and, consistent with Boy Dirt Car's classic revolving-door lineup, brings in several newcomers, including longtime Milwaukee mainstays Peder Hedman, Karl Paloucek and Jeff Hamilton. For much of the 1980s, Milwaukee was home to Boy Dirt Car's brooding sound. Influenced as much by Wisconsin's brutal winters and the dark tales of its North Woods as by any of their avant garde contemporaries, the group forged a sound different from other so-called 'industrial' bands of the day. As one reviewer once put it, 'Boy Dirt Car creates a sound not like being in a car crash, but of being under one.' Just as it cadged its industrial instrumentation from scrapyards and roadsides, BDC culled its members from across Milwaukee's vibrant music scene of the time, building up an intense following and a reputation as one of the city's most potentially hazardous acts. At the same time, the group recorded numerous (now-legendary) cassettes and LPs which, while escaping the ears of Rolling Stone, garnered them coverage in The Wall Street Journal, and -- even more unlikely -- from late advice columnist Ann Landers."